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FIRST PRIZE WINNER!

Seung Tak Hyun, Hee Min Boo

South Korea

Seungtak Hyun, an interior design student at Sangmyung University, has been deeply exploring the concept of experiential housing, especially as residential spaces expand and evolve due to rapid social changes.



Heemin Boo, a senior majoring in Interior Design at Sangmyung University, has a strong personal interest in housing, as it is the space most closely connected to daily life.

Interview with the Winner

Introduction

Seungtak Hyun : Hello. I'm Seungtak Hyun, an interior design student at Sangmyung University. As the concept of residential space is expanding and constantly evolving due to rapid social changes, experiential housing is a topic I have been exploring with deep interest. Therefore, I decided to participate in the Sense-sational Living - Experiential Home Design Architecture Competition, thinking that participating in this competition would be an opportunity to move to a broader stage, gain various experiences, and exercise my challenging spirit.

Heemin Boo : Hello. I'm Heemin Boo, a senior majoring in Interior Design at Sangmyung University. Housing is the space that is most closely connected to our daily lives, and it is a field that I am personally very interested in. Therefore, the theme of the Sense-sational Living - Experiential Home Design Architecture Competition intrigued me. I decided to participate because the process of envisioning and proposing a creative and innovative design for an experiential home would be an important opportunity for me to discover new ideas and deepen my ability to solve complex problems.

Design Concept

SeungTak Hyun : Our site is located on Jeju, a volcanic island in South Korea. My teammates and I were all born and raised on Jeju Island, so we feel we have a strong understanding of the site. We approached the project as if we were designing our own home. Jeju Island is a volcanic island that was formed by volcanic activity. In Korea, the monogenetic volcanoes on Jeju Island are called oreum. An oreum is a cone-shaped volcanic body formed by the accumulation of volcanic debris from an explosive eruption centered on a crater. They are distributed throughout Jeju Island, centered on Hallasan Mountain, and Jeju Islanders have a close relationship with Oreum, saying that they are born in Oreum and return to Oreum. It is said that each Oreum contains the heart and soul of the Jeju people. In our pursuit of capturing the true essence of Jeju Island's volcanic terrain, we envisioned the house as an extension of the island itself, taking cues from the natural curves of the oreum. Dividing the residence into four distinct realms—living, meditation, multimedia, and sensory spaces—we organically integrated each area to mirror the gentle slopes of an oreum, seamlessly harmonizing the architectural design with the island's innate character. "Olle" is a term originating from the Jeju dialect, denoting a narrow alleyway, typically a winding path leading from a main thoroughfare to the entrance of a dwelling. Given the island's windswept terrain, these alleys are crafted in a curved fashion. We have meticulously designed a sinuous pathway from the roadside to the heart of the residence, ensuring that each step unveils a succession of picturesque oreums, echoing the natural contours of Jeju's landscape.

HeeMin Boo : We wanted to isolate the sensory space in the home as a discrete unit, so that people could fully immerse themselves in the senses for as long as they were in the space. We designed the sensory space as a space that has the potential to change infinitely with nature, rather than being limited by bringing elements of nature into the space. This allows people to have a new experience every time they enter. We divided the senses we wanted to stimulate people into three main categories: the sense of sight, touch, and smell. In the sensory space, you can observe the light coming in through the skylights and the basalt walls changing over time. These changes create a visual delight. And you can feel the wind blowing through the basalt on your skin. Feeling the wind through your body stimulates your sense of touch. On the bench in the center of the space, we sprayed basalt stones with aromatic oils to create an eco-friendly diffuser where you can smell the scents. In our design, only the walls of the sensory room feature gabion structures. A gabion is a structure made of wire mesh filled with stone. The strong wire mesh and solid stone make this structure very robust, and the fact that it can be partially repaired makes maintenance cheap and easy. A stone called basalt is readily available on Jeju Island. Basalt is used to make the gabion structure, and the wire mesh and filler used can be recycled. In addition, as the stone absorbs heat during the day, it is naturally released through the cooler air in the evening. This insulates and regulates the temperature throughout the building, making it self-regulating and environmentally friendly. The lower part of the gabion structure is designed to have a higher density of stones, while the upper part has a lower density. This design allows for a decrease in density from bottom to top, resulting in an increasing amount of light entering the space as it ascends. Additionally, this structure enhances overall stability. This environmentally friendly sensory space creates a new and colorful experience for residents and visitors.

Sensory Architecture Significance

Seungtak Hyun : Architecture is a field that takes into account many different factors, with a particular emphasis on human expectations and sensory aspects. Before entering a space, people naturally anticipate what will greet them, and when this anticipation turns into satisfaction, they feel the space dynamically. Therefore, when designing a sensory residence, light is utilized to create a sense of infinite change in the space, and it is designed to be experienced sensually.

HeeMin Boo : Sensory architecture requires a holistic approach that engages the senses: sight, touch, sound, smell, and more. We conceived of the design as a reflection of the human need for constant renewal, and explored various ways to achieve this, such as utilizing stone as a natural material and designing low windows to allow natural light to enter the space. This approach ensures that the sensory elements are in harmony, allowing users to experience rich and varied sensory satisfaction when interacting with the space.

Sustainability Integration

Seungtak Hyun : With sustainability in mind, we carefully studied different materials and found stones with sustainable properties that were also structurally applicable. In particular, we chose basalt, which is readily available in the region and has excellent harmony with the environment, and designed the main structural elements of the sensory space in this material. This approach contributes to the realization of a design that is oriented towards a sustainable future, and enhances the durability and aesthetic value of the architecture at the same time as it fulfills environmental responsibility.

HeeMin Boo : Sustainability should always be considered an important factor in contemporary design, and it's a principle that applies to the design process of any space, not just the current project. We wanted the spaces we design to be sustainable beyond their temporary use, and to be places that people can continue to use for the long term. To achieve this goal, the choice of materials was essential. We believe that the process of constantly exploring sustainable materials and incorporating them into our designs is key to creating innovative and forward-thinking spaces. In Oreum house, we utilized basalt, a sustainable material, for the gabion structure. Moving forward, it is our priority to design spaces that provide value and functionality that will stand the test of time, taking into account the sustainability and environmental impact of materials.

Design Evolution

Seungtak Hyun : In the early stages, we started to think about what kind of site would be ideal for an experiential home that engages the senses. Then, we remembered our visit to Jeju's Jersey Culture and Artists Village, an artist colony. Jersey Culture and Artists Village is an area with a unique cultural flavor, where famous artists gather and produce their works. The village is not only for the residents. The town, nestled amidst serene natural surroundings, offers a tranquil environment conducive to deep sensory immersion and focus. Once the site was selected, the natural features and elements of the volcanic island of Jeju were incorporated into the design. Jeju Island has developed a unique residential culture based on its geology as a volcanic island. In our pursuit of capturing the true essence of Jeju Island's volcanic terrain, we envisioned the house as an extension of the island itself, taking cues from the natural curves of the oreum. Dividing the residence into four distinct realms—living, meditation, multimedia, and sensory spaces—we organically integrated each area to mirror the gentle slopes of an oreum, seamlessly harmonizing the architectural design with the island's innate character. Among them, the sensory space is designed as a gabion structure utilizing basalt, which has the advantage of being environmentally friendly. Basalt, which is readily available on Jeju Island, is used to make the gabion structure, and the wire mesh and filling materials used can be recycled. While designing the house, we also considered the environmental aspects and wanted to realize a sustainable design.

HeeMin Boo : One design technique that has played a pivotal role in our project is sketching, which allows us to visually record and understand the evolution of our designs, rather than simply expressing ideas that pop into our heads. In the early stages, we tried a variety of visual approaches through free-form, improvisational sketching, which allowed us to freely explore forms and components, intuitively analyze problems, and explore creative solutions. As the project progressed, we visually refined specific improvements based on our initial sketches, layering alternatives to arrive at the optimal design. Throughout this process, sketches played a key role in elaborating on the complex elements of the design beyond simple initial representations of ideas.

Community and Environmental Impact

Seungtak Hyun : Emotional empathy and good design are inextricably linked. Great spatial design provides an immersive, sustainable, and emotionally resonant experience for occupants. A key benefit of immersive design is the continuity and organic flow of the space, allowing occupants to interact with the space naturally and without physical boundaries. The Oreum house was designed with these principles in mind, so that users are fully immersed in the space and the physical environment is naturally integrated into their daily routine. In addition, various elements of the space, such as color, lighting, and texture, can have a direct impact on the emotional state of the occupants. As a result, design plays a key role in all aspects of the immersion, sustainability, and emotional resonance that a space can provide for its occupants.

HeeMin Boo : Spatial design is more than just organizing the physical environment; it has a profound positive impact on the people and places around it. Well-designed spaces improve the quality of human life, foster social interaction, and reflect the character of a community, enriching the overall atmosphere and experience. Designers need to deeply understand and consider the needs and expectations of users while planning the form and function of a space. In this process, the space becomes more than just a backdrop, but an active stage on which users engage and interact. The design of a space creates opportunities for people to live, work, and interact there, and through these interactions, the space naturally forms and develops relationships with its users. Designers and users play an important role in the design process, sharing their perspectives and creating stories together. Designers provide creative and innovative solutions to clarify the purpose and function of the space, while users provide feedback based on their experiences and needs to shape the final form of the space. This collaborative approach ensures that spaces are not just physical structures, but living places that capture and reflect people's stories. As a result, spatial design strengthens the relationship between people and their environment, creating meaningful and valuable experiences for all participants as they co-create stories together. We believe that spaces designed through this interaction are constantly changing and evolving, becoming environments that positively impact people through deep connections with their users.

Guidance for Aspiring Designers

Seungtak Hyun : Although I am still in the early stages of my career as a designer, I believe it is very important to have a deep connection with the space and to think carefully about it whenever I am working on a project. In particular, it is essential to consider the space from the user's point of view and to be mindful of how the space can be maintained in a sustainable way. In the field of sensory living architecture, a key element of a successful design is to be in harmony with its surroundings, while being creative and sustainable. Therefore, designers should take a creative and innovative approach to understanding the nature of the space, and pursue a design that is both environmentally responsible and engaging for the user. This approach will go beyond short-term gratification and contribute to the value and sustainability of the space in the long run.

HeeMin Boo : I believe that a sensitive and delicate sense of touch is essential in order to remain passionate about this field of design, as it requires us to carefully consider the different needs of users and the perspectives of others. By always maintaining a different level of sensitivity than most people, we are able to closely analyze and reflect on the complexities and subtleties of design. We believe that this sensitivity has played an important role in the successful outcome of our projects. Therefore, as a designer, you need to go beyond creative ideas and closely understand the different experiences of people, and take a sensitively sophisticated approach to design, in order to perfect your designs and ensure the success of your projects.

Reflections on Winning

Seungtak Hyun : Winning the Sense-sational Living - Experiential Home Design Architecture Competition will go down as one of the most joyful and memorable moments of my life. Many designers work on projects with passion, but only a few of them achieve outstanding results. Of course, results are important, but I believe that developing your own unique sense of design and personality is more important than anything else. In order to succeed in the design field, it is essential to constantly develop your own unique style and color beyond just results. I believe that designs with this personal touch and individuality can truly create innovation and value. Therefore, I hope that other designers will follow my lead and continue to develop their own unique sense of design and style, and continue to do creative and meaningful work.

HeeMin Boo : Winning first place in the Sense-sational Living - Experiential Home Design Architecture Competition was a very exciting moment for me. It is a great honor to be recognized in a designer competition such as this, and I take great pride in the fact that my design sense has been positively evaluated. I believe that I have an excellent sense of design, and I think that this confidence is naturally reflected in every step of the project, which plays an important role in creating outstanding results. This trust and confidence is a key element of design, which allows for the successful completion of a project. Therefore, I hope that other designers will always approach their design work with confidence, and continue to believe in their own unique sense and creativity.

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